Alice in Wonderland by Lewis Carroll, Mallory Loehr

By Lewis Carroll, Mallory Loehr

Alice can't think her eyes whilst a white rabbit donning a waistcoat and wearing a pocket watch dashes by way of her. She chases after him, down a rabbit gap to a wierd land choked with unique creatures, just like the Mad Hatter and March Hare, a smiling Cheshire cat, a philosophical caterpillar, and a temperamental croquet-playing queen. Alice can rarely maintain song of all of the curious characters, not to mention herself!

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Extra resources for Alice in Wonderland

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27 Amazing Leonardo da Vinci Inventions Egg Tempera vs. Oil Paint Egg tempera is made by mixing colored pigments with egg yolk; the egg yolk acts as a binding agent, which keeps the color on the surface of the board, plaster, or canvas—whatever the painter happens to be painting on. Egg tempera had some major limitations for renaissance painters. It couldn’t be stored, so painters had to make it immediately before they used it. Artists also had to be careful to make just the right amount of paint: too little and they’d have to try to match the color they had just run out of; too much and they’d waste expensive material.

Cut ears, tongue 46 and fangs out of construction paper. Ping pong balls can add fun touches. Leonardo the Artist and Dreamer Cover shield with paper-mâché. Cut ears, tongue and fangs out of construction paper. Ping pong balls can add fun touches. After paper-mâché dries, you are ready to paint. 5 Dip the newspaper into the mixture, and wipe off the excess before applying the newspaper to the shield, one strip at a time. Repeat this until the entire shield and monster is covered, overlapping the newspaper pieces as you go.

It couldn’t be stored, so painters had to make it immediately before they used it. Artists also had to be careful to make just the right amount of paint: too little and they’d have to try to match the color they had just run out of; too much and they’d waste expensive material. Because egg tempera dried very quickly, painters layered wet colors over dry colors to give the impression of shading and blending rather than mix colors together. Egg tempera’s limitations didn’t bother painters in the Middle Ages.

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